“Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as
Rubens… he has imagined scenes that would startle geometry and exhaust the Indies
to realize.” —Horace Walpole
One of the greatest architectural artists
One of the greatest architectural artists of all time, and certainly the most famous
copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is best
known for his terrifyingly original series of etchings of labyrinthine and megalomaniac
prisons, Carceri d’Invenzione. In his own day, he was most celebrated for his Vedute,
137 etchings of ancient and modern Rome; so renowned were these startling and dramatic
chiaroscuro images, imbued with Piranesi’s romantic feeling for archaeological ruins,
that they formed the mental picture of Rome for generations after. Indeed, Piranesi
could be said to have shaped a whole strain of contemporary architecture, as well
as the wider visualization of antiquity itself. In our time, he has had a direct
influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam
and Peter Greenaway. Anyone who contemplates Piranesi’s etchings will confront the
existential nightmare of human existence and its infinite mysteries.
Luigi Ficacci the author
Luigi Ficacci studied art history in Rome under Giulio Carlo Argan. For many years,
he was curator at the Istituto Nazionale per la Grafica in Rome and lectured at various
Italian universities. From 2007 to 2015, he was Bologna’s general museum director
(Soprintendente ai Beni Culturali); today he is general museum director in Lucca.
The focal points of his research work are the issues raised by 17th and 18th century
and contemporary Italian and European art.