This works have prompted a New York Times bestseller; a film starring Scarlett Johansson
and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington,
DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands
flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring,
also known as the “Dutch Mona Lisa”.
In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended
beyond his native Delft and a small circle of patrons. After his death, his name
was largely forgotten, except by a few Dutch art collectors and dealers. Outside
of Holland, his works were even misattributed to other artists. It was not until
the mid-19th century that Vermeer came to the attention of the international art
world, which suddenly looked upon his narrative minutiae, meticulous textural detail,
and majestic planes of light, spotted a genius, and never looked back.
This XL edition brings together the complete catalog of Vermeer’s work, presenting
the calm yet compelling scenes so treasured in galleries across Europe and the United
States into one monograph of utmost reproduction quality. With brand new photography
of many works, Vermeer’s restrained but richly evocative repertoire of domestic actions
– ranging from letter writing to music making to preparations in the kitchen – unfolds
in a generous format, including three fold-out spreads. Numerous details emphasize
the artist’s remarkable ability not only to bear witness to the trends and trimmings
of the Dutch Golden Age but also to encapsulate an entire story in just one transient
gesture, expression, or look.
After completing his studies of Art History and Archaeology at the University of
Vienna, Karl Schütz joined the staff of the Gemäldegalerie of the city's Kunsthistorisches
Museum, serving from 1972 as a curator and from 1990 to 2011 as its Director. His
particular scholarly interests include Netherlandish and Flemish painting, early-16th-century
German painting, courtly portraiture and the history of the Gemäldegalerie collection.